Wednesday, February 27, 2013

Puthagam Movie Review By CB


Puthagam is a 2013 Tamil picture, produced by S. Manjula for Ram Pictures Private Restrained. The picture is guided by debutant Vijay Adiraj, a TV entertainer /hook. Sathya, kin of Performing craftsman Arya is playing the lead role.Rakul Preet Singh, a previous Miss India is the heading lady.Sanjay Barathi, youngster of veteran actor/director Santhana Barathi notwithstanding Vignesh Vijaykumar of Kadhalil Sodhappuvadhu Yeppadi reputation play key roles. Telugu star Jagapati Babu is has nexus impact. The picture has supporting star hurled which consolidate Suresh, Thalaivasal Vijay, Santhana Bharathi, Delhi Ganesh, Mad Mohan, Fathima Babu, Uma Padmanabhan and substitutes.
The picture was shot in Sony F 65.J.Laxman Kumar of Vennila Kabadi Kuzhu was the man out of date and the music was scored by James Vasanthan. The picture also has GK as its symbolization head.
The picture was released on 14th January 2013.
TV enthusiastic air Vijay Adhiraj marks his woman bearing into standard picture with “Puthagam”. Suddenly Arya's kin Sathya (looks like Arya's photocopy) makes an enormous manifestation in Kollywood with this picture and so does Executive Santhanabharathy's youngster Sanjay. Puthagam unites the race for Pongal box-office, granted its report was standard when differentiated and diverse pictures. On the other hand the trailer of this picture had rave reviews progressing the craving variable. Vijay shuts his 14 year relief of this musing and has changed over it into a picture shot with new heroes. We should analyze what this picture is about:
The Plot:
The picture begins with RJ Balaji's chirpy euphoric go presentation of standard components, Sathya, Sanjay, Vignesh and Rakul Preeti singh. After the standard blend of notion, moderate spoof and incline, the first half is all about how the a few of them fight to make a living. In the meantime there is a political turmoil some other region else with the catch of Gathering guide endeavored by Suresh. Rakul plays the light scholar who fronts the lion's share of the episode news and in addition as Sathya's sweetheart. A fortune stops by to the vagabonds and rest of the plot is all about how and what happens to them with each one of the riches and turnover of events.
Post intermission there is humble scope for Rakul as she does the vanishing motion now and then. Jagapathi Babu's component is of a venal macho notwithstanding his sidekick sensation Rachna Murya. A whale of minor time actors like Uma Padmanabhan, Thalaivasal Vijay, Santhana Bharathi, Fathima Babu and Mano Bala get appropriate in their roles in any case they appear to be barely for a minute.
Specially designed Viewpoints:
The movie as a whole is secured in Sony F65, an electronic development zoom lens incorporating an immaculate viewpoint in each wrapper and Cinematographer Laxman to store every last trace of the affirmation for it. James Vasanth after his triumph in common milieu endeavors his hand out with urban music. Kevin has managed the Altering division.
What's outstanding and what's not:
The movie as a whole is a thriller and Vijay's innovative tryst with it takes a troublesome time at various places. Sathya scans overall fabricated for a courageous individual, yet he should do a mess of homework when he animates explicitly the finish ups. Sanjay and Vignesh endeavor their parody at parts and marginally obliges at times. Rakul as an essayist is fresh and charming to watch unlike the part in her past picture where she was observed an extensive bit of the time in despair. Her lip synch is truly an unbelievable treat to watch and the head benefits a motion of salutations for wearing down a non tamilian entertainer's dialect. Her acting is equivalent to her looks and is sure to stay in Tamil Film.
The screenplay is an epic let-down with a suspicious length which just limits the surge of the picture. One moment the scene gets shameful and the taking after moment its all nostalgic and after that again the official turns to opinion, just not matching the right situation. The beautifying agents is radical and especially clear, in certain scenes where Suresh's close-up is depicted it can smoothly give off how oppressed the patch up is. James' underpinning score is friendly at fitting junction, furthermore the music is ordinary. Jagapathi's rehashing Punch talked irritates after a while and makes us contemplate why this Kolaveri? A colossal solace in this show is cinematography by Laxman, he enthrals us with proficient zoom lens work in both lighter and darker shades of the picture.

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